Applications

• Brass and woodwind instruments
• Orchestras, choirs, and wind ensembles
• Overhead miking of drums and percussion instruments
• Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion
• Low-frequency instruments such as double bass and kick drum
• Electric guitar and bass amplifiers
• Vocals and speech
• Room ambience

  Note: Sound quality is strongly affected by microphone location and room acoustics. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments.

Power Requirements

This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.

Most modern mixers provide phantom power. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS.

Suspension Mount

Use the supplied ShureLock^® rubber suspension mount to secure the microphone to a floor or boom stand.

Important: Thread the knurled locking ring securely to the base of the microphone. Do not overtighten.

Positioning

Position the front of the microphone, with SHURE^®, towards the desired sound source. Position the rear of the microphone, with the vintage circle S logo, towards any unwanted sound sources.

Selecting Low-Frequency Response

A three-position switch on the back of the microphone lets you adjust the low-frequency response. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect.

Flat response. Provides the most natural sound in most applications.

Low frequency cutoff. Provides an 18 dB-per-octave cutoff at 80 Hz. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. This setting may also be used to compensate for proximity effect or to reduce low frequencies that make an instrument sound dull or muddy.

Low frequency rolloff. Provides a 6 dB-per-octave rolloff filter at 115 Hz. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy.

Setting Attenuation

The attenuation switch lets you reduce the signal level without altering the frequency response. This can prevent extremely loud sounds from overloading the microphone circuitry.

0 dB For "quiet" to "normal" sound levels.

-15 dB For use with extremely loud sound sources such as drums, horns, or loud guitar cabinets.

Load Impedance

Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. Shure recommends a minimum input load impedance of 1000 Ω. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.

Integral Pop Filter

The microphone grille consists of 3 separate mesh layers that act as an integral pop filter. This helps reduce wind and breath noise. Depending on the performer, an external pop-protection screen or windscreen may be necessary when close-miking vocalists.

Specifications

Cartridge Type

Electret Condenser

Polar Pattern

Cardioid

Frequency Response

20 to 20,000 Hz

Output Impedance

150 Ω

Sensitivity

open circuit voltage, @ 1 kHz, typical

–36 dBV/Pa[1] (16.0  mV)

Maximum SPL

1 kHz at 1% THD[2]

PAD ON	2500 Ω load	154 dB
	1000 Ω load	148 dB
PAD OFF	2500 Ω load	139 dB
	1000 Ω load	133 dB

Signal-to-Noise Ratio[3]

81 dB

Dynamic Range

@ 1 kHz

2500 Ω load	126 dB
1000 Ω load	119 dB

Clipping Level

20 Hz to 20 kHz, 1% THD

2500 Ω load	9.0 dBV
1000 Ω load	3.0 dBV

Self Noise

equivalent SPL, A-weighted, typical

13.0 dB SPL-A

Common Mode Rejection

20 to 20,000 kHz

≥50 dB

Attenuator Switch

0, -15 dB

Low-Frequency Filter Switch

Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz

Connector

Three-pin professional audio (XLR), male, balanced

Polarity

Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3

Power Requirements

11–52 V DC[4] phantom power (IEC-61938), 4.7 mA

Net Weight

490 g (17  oz.)

[1] 1 Pa=94 dB SPL

[2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL

[3]S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted

[4]All specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity.

Typical Frequency Response

Typical Polar Patterns

Overall Dimensions

Accessories

Certifications

This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking.

The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance

Authorized European representative:

Shure Europe GmbH

Headquarters Europe, Middle East & Africa

Department: EMEA Approval

Jakob-Dieffenbacher-Str. 12

75031 Eppingen, Germany

Phone: 49-7262-92 49 0

Fax: 49-7262-92 49 11 4

Email: info@shure.de

Trademark Notices: The circular S logo, the stylized Shure logo, and the word, “Shure” are registered trademarks of Shure Incorporated in the United States. “SHOCKSTOPPER” is a trademark of Shure Incorporated in the United States. “Mylar” is a registered trademark of E.I. DuPont de Nemours and Company in the United States. These marks may be registered in other jurisdictions.

Patent Notice: Patent Des. 400, 540