The possible results of incorrect use are marked by one of the two symbols—"WARNING" and "CAUTION"—depending on the imminence of the danger and the severity of the damage.
|WARNING: Ignoring these warnings may cause severe injury or death as a result of incorrect operation.|
|CAUTION: Ignoring these cautions may cause moderate injury or property damage as a result of incorrect operation.|
WARNING: Battery packs shall not be exposed to excessive heat such as sunshine, fire, or the like.
This device is able to produce sound volume higher than 85 dB SPL. Please check your maximum allowed continuous noise exposure level based on your national employment protection requirements.
LISTENING TO AUDIO AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE. Over exposure to excessive sound levels can damage your ears resulting in permanent noise-induced hearing loss (NIHL). Please use the following guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to sound pressure levels before hearing damage occurs.
90 dB SPL
at 8 hours
95 dB SPL
at 4 hours
100 dB SPL
at 2 hours
105 dB SPL
at 1 hour
110 dB SPL
at ½ hour
115 dB SPL
at 15 minutes
120 dB SPL
Avoid or damage may occur
|To prevent possible hearing damage, do not listen at high volume levels for long periods.|
Licensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies.
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions:
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
This device contains licence-exempt transmitter(s)/receiver(s) that comply with Innovation, Science and Economic Development Canada’s licence-exempt RSS(s). Operation is subject to the following two conditions:
L’émetteur/récepteur exempt de licence contenu dans le présent appareil est conforme aux CNR d’Innovation, Sciences et Développement économique Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes :
Industry Canada ICES-003 Compliance Label: CAN ICES-3 (B)/NMB-3(B)
Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance.
Changes or modifications not expressly approved by the manufacturer could void the user’s authority to operate the equipment.
The PSM® 1000 Personal Monitor System from Shure brings personal monitoring to its most advanced level yet. The full-rack, dual-channel, networkable transmitter is ideally suited for the demands of professional touring and installation applications, and the diversity bodypack receivers deliver pristine RF signal and audio quality. Networkability over Ethernet connection enables remote control of transmitter functions and comprehensive frequency coordination via Wireless Workbench® software.
Full compatibility with Wireless Workbench and ShurePlus™ Channels software provides advanced RF spectrum plotting, comprehensive frequency coordination, and live monitoring and adjustment of transmitter settings, including:
Set the input sensitivity to match the source using thesetting.
Open by pressing the latches on both sides and pulling. Insert the batteries or battery pack and attach antennas. Turn on using the volume knob. The battery light illuminates.
Important: Remove the protective film from the face of the transmitter or the IR sync may not work.
① Sync Window
Align bodypack IR window with sync window on TX.
② RF Switch
Mutes RF output. For setting up multiple systems or adjusting settings without transmitting unwanted RF or audio signals.
③ Audio Indicators
Use the control wheel to adjust the audio so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. Press the enter button to save the value, exit to cancel. The red clip LED indicates the inputs are overdriven. Reduce the level at the audio source or change the input sensitivity of the rack unit from the menu.
④ Status Display and Controls
Use the navigation buttons to access the configuration menu. Push the control wheel to move the cursor to the next item. Turn the control wheel to change a parameter—the enter button flashes. Press it to save the value. Press the exit button to cancel changes and return to the previous menu.
⑤ Headphone Monitoring
The monitor control adjusts signal output to the 3.5 mm headphone jack. Push button to toggle between transmitters. Monitor clip LED indicates headphone audio is clipping.
⑥ Power Switch
Turns the unit on and off.
⑦ Primary power switch
This switch disconnects power to the unit. It is not affected by the interface power lock in the Util menu. Only the front power switch can be locked.
⑧ Power plug
AC mains power input, IEC Connector 100-240 Vac.
⑨ AC mains power passthrough
Use with an IEC extension cable to supply AC power to another device. Unswitched.
⑩ Antenna (BNC) port
Attach supplied antennas. If you are rack mounting, use a front panel or remote mounting kit from Shure.
⑪ loop out
Sends audio signal going into the transmitter to another device.
⑫ Audio Inputs
Connect to balanced or unbalanced outputs. Use either jack for mono input. Accepts male XLR or 6.35 mm (1/4-inch) TRS plugs.
⑬ Ethernet Jack
Two-port RJ-45 Ethernet jack for connection to a network or computer.
The home screen provides access to submenus and displays a summary of transmitter settings.
① Audio channel name
② Frequency setting
③ Group and Channel
④ Network Icon
⑤ Lock Icon
⑥ RF Power Level
⑦ Audio Level
⑧ Mix-mono or stereo
⑨ Aux/Line in
⑪ TV Channel
Access the Radio menu to adjust the frequency and power at which the unit operates.
Group number. Each group contains channels selected to work well together in a single installation.
Channel number. Sets the transmitter to a channel in the selected group.
Displays the frequency to which the transmitter is set. Frequency selection; adjustable in increments of 1MHz or 25kHz.
Power level at which the transmitter operates. Select from 10, 50, or 100 mW (power levels vary by region).
For creating custom frequency groups. See Custom Groups.
Access the following settings from the Audio menu.
This changes the audio level for the inputs on the back of the rack transmitter.
+4 dBu (line level)
–10 dBV (aux level)
Transmits each input as a separate channel.
Combines both inputs into a single channel.
Set up the device for point-to-point wireless audio.
Adjust output level.
Use this feature to store settings that will be transferred to the bodypack during a sync. By default, settings are unaffected by a sync, indicated by the NoChange option.
ON: Locks the bodypack interface.
Off: Unlocks the bodypack interface.
Sets stereo (ST) or MixMode (MX).
Sets balance for MixMode.
Sets balance for stereo mode.
Switches between Standard and High gain modes.
The following settings are only available on legacy P9RA and P10R bodypack receivers. P9RA+ and P10R+ receivers will not be affected by these settings.
Off: Turn volume limit off.
ON: Turn volume limit on.
Sets value for volume limit.
Sets value for high frequency boost.
Use these options to assign audio settings to P10R+ bodypack receivers during an IR sync. Legacy P10R receivers will not be affected by these settings.
For additional information, see the Audio Settings section of this guide.
Align the receiver and transmitter IR ports and press SyncScan to download spectrum scan data from the receiver.
After downloading data, the following options are available:
Enters a submenu from which you can deploy open frequencies to all transmitters on the network.
Enables the control wheel to move the cursor.
Enables the control wheel to zoom into graphic at cursor position.
Tip: Push the control wheel to toggle between cursor and zoom modes.
Press to sync the receiver and transmitter using the IR port.
Turn control wheel to change channel name. You can set a different name for each channel on the device (this name is uploaded to the bodypack with sync).
Change the look of the LCD panel from the display menu.
Sets display brightness to high, low, or medium.
Changes display from light on dark to dark on light.
Use the control wheel to adjust contrast.
Use these controls to lock or unlock power switch and front panel controls.
Locks power switch.
Unlocks power switch.
Locks the controls on the front panel for the selected transmitter.
The front panel is unlocked.
To unlock the front panel, select
Use this menu to find, display and change how this device connects to the network. There is one set of network settings for both transmitters.
Allows you to assign a display name. This applies to both channels on the device. To name each channel individually, use the Channel Name setting.
Default setting for use with DHCP networks.
Manual IP addressing. Allows you to enter an IP address (IP) and subnet mask (SUB).
Displays MAC address for this device, view only, and there is only one MAC address for both transmitters.
Manual mode only. Resets network settings to the factory defaults.
Lists all network devices.
Displays product serial number.
Restores the values on all networked devices to factory default settings.
Displays the receiver firmware version that is currently stored in the transmitter. Press Download to transfer the update to a receiver through the IR port.
① Power Switch and Volume Control
Turns the bodypack on and off and adjusts earphone volume.
② 3.5 mm Earphone Jack
Insert earphones here.
③ Scan Button
Press the scan button to find an available frequency. Press and hold for two seconds to find the group with the most available channels.
④ IR Window
For transmitting settings between bodypack and rack unit.
⑤ Battery Compartment
Requires 2 AA batteries or Shure rechargeable battery. Open by pressing the latches on both sides and pulling.
⑥ Menu buttons
Use in conjunction with the ▼▲ buttons to access the configuration menus.
⑦ ▼▲ Buttons
Use to adjust the audio mix (in MixMode only), or in conjunction with the menu buttons to change settings.
⑧ LCD Screen
Displays current settings and menus.
⑨ Tri-Color Battery LED
Illuminates green, amber, or red to indicate battery power. When red, change battery immediately.
⑩ Blue RF LED
Indicates the bodypack is receiving a signal from the transmitter.
⑪ SMA Connector
For detachable antennas.
⑫ Removable AA Adapter
Remove to use with a Shure SB900 rechargeable battery.
Note: To remove adapter, open door and slide out. To reinstall adapter, place over the clip and press, there will be an audible click when seated.
Access the following RF settings from the RADIO menu.
Group number. Each group contains channels selected to work well together in a single installation.
Channel number. Sets the receiver to a channel in the selected group.
Displays the frequency to which the transmitter is set. Highlight and use the ▼▲ buttons to set the transmitter to a specific frequency.
Adjusts the squelch setting.
Performs spectrum scan and displays open frequencies in a graphical interface.
Attenuates antenna signals in 3 dB increments.
Selection for single antenna operation. Disables diversity reception.
Access the following audio settings from the Audio menu.
Receive left and right inputs as a stereo signal
Set your receiver to combine the left and right channel for simultaneous listening in both ears or pan to listen to only the left or right channel
The parametric equalizer is divided into four frequency bands: LOW, LOW MID, HIGH MID, and HIGH. When the EQ is enabled, the following parameters are adjustable:
Select the center frequency of the band to boost/cut
Adjusts the width and slope of the frequency band (measured in octaves)
Adjustable in 2 dB increments from -6 dB (cut) to +6 dB (boost)
NOTE: HIGH and LOW are shelf filters, and therefore do not have adjustable Q widths. The HIGH shelf is fixed at 10 kHz; the LOW shelf is fixed at 100 Hz.
Set a value (OFF to -48 dB, adjustable in 3 dB increments) to attenuate the highest possible volume level. Turning the volume knob through its entire range of motion still affects volume; the limit simply narrows the range of dB adjustment.
Note: The volume limit does not compress the audio signal.
P9RA+ and P10R+ only
The volume is locked to the physical position of the volume knob
Input EQ affects the signal after it is sent to the receiver, but before the headphone output, modifying the overall sound of the entire system.
Matches the frequency response of legacy PSM receivers, allowing for matched audio with mixed-inventory setups
Offers a flat frequency response curve
Audio bypasses input EQ
Left and right balance for earphones when in stereo mode, or mix of left and right channel for MixMode
Access the following settings from the UTILITIES menu.
Enters CUEMODE to exit, press enter and select EXIT CUEMODE
Change the display settings on the bodypack
Sets display brightness to high, low, or medium.
Locks all controls except power and volume.To unlock, press exit, select OFF, and press enter.
When using an SB900 - Shure rechargeable battery, the following information is displayed: Hrs: Min Left, temperature, Status, Cycle Count, and Health.
Sets the time at which the receiver is powered off after entering power-save mode (when POWER SAVE is displayed on the screen).
Returns receiver to factory default settings.
|Battery Indicator||Tri-Color Battery LED||Approximate Hours Remaining (h:mm)|
|Alkaline||Shure SB900A Rechargeable Battery|
|Volume Level||Volume Level|
|Green||6:00 to 3:50||4:20 to 2:45||3:15 to 2:05||8:00 to 3:45||6:45 to 3:45||6:00 to 3:45|
|Green||3:50 to 2:50||2:45 to 2:00||2:05 to 1:30||3:45 to 2:45||3:45 to 2:45||3:45 to 2:45|
|Green||2:50 to 1:15||2:00 to 1:00||1:30 to 0:50||2:45 to 1:45||2:45 to 1:45||2:45 to 1:45|
|Green||1:15 to 0:25||1:00 to 0:20||0:50 to 0:20||1:50 to 0:55||1:50 to 0:55||1:50 to 0:55|
|Amber||0:25 to 0:15||0:20 to 0:10||0:20 to 0:10||0:55 to 0:25||0:55 to 0:25||0:55 to 0:25|
|Red||< 0:15||< 0:10||< 0:10||< 0:25||< 0:25||< 0:25|
|Total Battery Life||6:00||4:20||3:15||8:00||6:45||6:00|
Power-save mode: When there are no earphones plugged in for 5 minutes, the receiver enters power-save mode to preserve battery life. The LED slowly fades on/off in this mode and continues to display the color that represents the remaining battery life.
Note: Battery life using Energizer brand AA Alkaline batteries and the following conditions:
Note: Using lower-impedance earphones or ones with different sensitivity, different battery types, and higher gain settings in the PSM system may cause the receiver battery life to be different than specified.
Pink noise is a signal with a frequency spectrum such that the power spectral density is inversely proportional to the frequency. In pink noise, each octave carries an equal amount of noise power.
When setting up multiple systems, designate a single bodypack to scan for available frequencies and download them to all the rack units.
The bodypack must be from the same frequency band as all the transmitters.
Note: Turn on all other wireless or digital devices as they would be during the performance or presentation (so the scan will detect and avoid any interferance they generate).
Important: Note the number of available channels. If you have more rack units than available channels, eliminate potential sources of interference and try again, or call Shure Applications for assistance.
CueMode allows you to upload the name and frequency settings from multiple rack units and store them as a list on a single bodypack. You can then, at any time, scroll through that list to hear the audio mix from each transmitter, just as each performer does during a show.
CueMode lists are retained even if CueMode is exited, the bodypack is turned off, or batteries are removed.
Note: Set the channel frequency and assign display names for each transmitter before creating your CueMode list.
Note: The transmitter must be from the same frequency band as the bodypack.
The LCD displays SYNC SUCCESS after frequency and name data are uploaded to the CueMode list. It also displays the CueMode number for that transmitter and the total number of transmitters.
Note: Syncing while in CueMode does not change any of the settings on the bodypack.
Exit CueMode by pressing enter and selecting EXIT CUEMODE.
While in Cue Mode, you can access the following menu by pressing enter:
Select and press sync on a rack unit to upload new data for the current mix (for example, if you have changed the transmitter frequency).
Removes the selected mix.
Removes all mixes.
Exits CueMode and returns the bodypack to the previous frequency setting.
Use a frequency scan to analyze the RF environment for interference and identify available frequencies. There are three types of scan:
Note: When performing a frequency scan:
You can transfer frequency settings in either direction: from the bodypack to the rack unit, or from the rack unit to the bodypack.
Note: You can also choose to transfer other settings to the bodypack during a sync, such as lock or mode settings, using themenu on the rack transmitter.
The level LEDs on the rack unit flash.
When properly aligned the IR window on the transmitter illuminates.
The blue LED on the bodypack flashes.
This feature allows you to create your own groups of frequencies.
This overwrites all existing custom groups.
Some performers need to hear more of their own voice or instrument, while others want to hear more of the band. With MixMode, the performer creates their own mix using the balance control (▼▲ buttons) on the bodypack.
To use MixMode, send a solo mix of the performer to the L/CH1 input on the transmitter, and send a band mix to the R/CH2 input.
Set the performer's bodypack for MixMode. The bodypack combines the two signals and sends them to both earphones, while the balance control on the bodypack adjusts the relative levels for each.
For IFB applications, send two independent program feeds into the L/CH1 and R/CH2 input of the transmitter. With MixMode, the director or broadcast talent can listen to either feed using the balance control (▼▲ buttons) on the bodypack to pan to either audio signal.
Use LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmitter to other devices. Following are a few of the many applications for these outputs.
Note: The input level control and the input pad do not affect the LOOP OUT signals.
Configure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first transmitter. Connect the LOOP OUT R output to the R/CH2 input of the next transmitter. Continue the chain with all the transmitters.
Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer.
Send the audio from the LOOP outputs to onstage loudspeakers. The bodypack and the onstage monitors receive the same audio signals.
Note: The LOOP audio outputs will not drive passive loudpeakers, and must be sent to a power amplifier or an active loudspeaker.
To record a performance, connect the LOOP outputs to the inputs of a recording device.
Squelch mutes audio output from the bodypack when the RF signal become noisy. While squelch is activated, the blue LED on the bodypack turns off.
For most installations, squelch does not need adjustment, and it keeps the performer from hearing hiss or noise bursts if the RF signal becomes compromised. However, in congested RF environments or in close proximity to sources of RF interference (such as large LED video panels), the squelch may need to be lowered to prevent excessive audio dropouts. With lower squelch settings, the performer may hear more noise or hiss, but will experience fewer audio dropouts.
Important: Before lowering squelch, first try to eliminate the problem by finding the best set of frequencies for your installation and removing potential sources of interference.
Caution: Turning off or lowering the squelch setting can increase the noise level and cause discomfort to the performer:
|HIGH (NORMAL)||Default factory setting.|
|MID||Moderately decreases the signal-to-noise ratio required to squelch the receiver.|
|LOW||Greatly decreases the noise squelch threshold.|
|PILOT ONLY*||Turns off noise squelch leaving only pilot squelch on.|
|NO SQUELCH*||Turns off noise and pilot tone squelch. (Sometimes used as a debugging tool by monitor engineers or RF coordinators to "listen" to the RF environment.)|
|* Symbol appears in display window.|
Use PTP mode to allow a P10T to transmit to a UHF-R receiver. This allows a transmitter and receiver setup where both units are racked and powered by AC.
For more information visit: www.shure.com/americas/products/personal-monitor-systems
Each transmitter has an RJ-45 port on the back for connecting to other transmitters over an Ethernet network. Networking transmitters allows you to automatically set frequencies for all the transmitters with a single group scan command.
Add transmitters to a network using the default automatic network setting ():
You can control and monitor all networked transmitters through a computer running Shure Wireless Workbench software, Version 6 or later. If using the default automatic network setting, make sure your computer is configured for DHCP.
Note: Some security software or firewall settings on your computer can prevent you from connecting to the transmitter. If using firewall software, allow connections on port 2201.
Static IP addressing is also supported. An IP address can be assigned through the network menu ().
Note: Dual transmitters use a single IP address, which may be set through either LCD interface.
Use this feature to scan the full RF spectrum for potential sources of interference and deploy open frequencies to all receivers on the network. A graphical representation of the scan data may be viewed on both the transmitter and receiver. This allows you to scroll through the graph to reveal details about the frequency and strength of the interfering signals.
The receiver displays SPECTRUM SCAN and scans the full spectrum.
The receiver displays the scan data as a graph and gives options for viewing and deploying.
The rack transmitter searches the network for all available transmitters.
The number of open frequencies for each group is displayed next to Open Frequencies.
The LEDs flash on all affected channels.
Use the following steps to update the firmware on a bodypack receiver.
Once the download is complete, the receiver automatically begins the firmware update, which overwrites the existing firmware.
CAUTION! Do not turn off the receiver until the update is complete.
varies by region
Note: varies by region
90 m (300 ft)
35 Hz –15 kHz (±1 dB)
90 dB (typical)
ref. ±34 kHz deviation @1 kHz
Patented Shure Audio Reference Companding
ref. 12dB SINAD
>80 dB (typical)
19 kHz (±0.3 kHz)
FM*, MPX Stereo
*ref. ±34 kHz deviation @1 kHz
-18°C to +57°C
selectable: 10, 50, 100 mW (+20 dBm)
50 Ω (typical)
4.7 kg (10.4) lbs
44 x 483 x 343 mm (1.7 x 19.0 x 13.5 in.), H x W x D
|Input||100–240 V AC, 50/60 Hz, 0.5 A max. (5.5, with outlet loaded)|
|Output||100–240 V AC, 50/60 Hz, 5 A max., unswitched|
Combination XLR and 6.35 mm (1/4") TRS
|XLR||Non-inverting (pin 2 positive with respect to pin 3)|
|6.35 mm (1/4") TRS||Tip positive with respect to ring|
70.2 kΩ (actual)
switchable: +4 dBu, –10 dBV
|+4 dBu||+29.2 dBu|
|-10 dBV||+12.2 dBu|
|XLR||1=ground, 2=hot, 3=cold|
|6.35 mm (1/4") TRS||Tip=hot, Ring=cold, Sleeve=ground|
Up to 60 V DC
6.35 mm (1/4") TRS
Connected directly to inputs
–3 dB at 30.5 MHz from the center frequency of each band
Adjusts RF sensitivity to provide more RF dynamic range
at 20 dB SINAD
22 dB SINAD (±3 dB)
1 kHz at Less than 1% distortion, Maximum Headphone Output Power, at 16 Ω
100 mW (per output)
|Low Shelf||Selectable Gain: ±2 dB, ±4 dB, ±6 dB @ 100 Hz|
|Low Mid||Selectable Gain: ±2 dB, ±4 dB, ±6 dB at 160 Hz, 250 Hz, 400 Hz, 500 Hz, 630 Hz Selectable Q: 0.7, 1.4, 2.9, 5.0, 11.5|
|High Mid||Selectable Gain: ±2 dB, ±4 dB, ±6 dB at 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz Selectable Q: 0.7, 1.4, 2.9, 5.0, 11.5|
|High Shelf||Selectable Gain: ±2 dB, ±4 dB, ±6 dB @ 10 kHz|
Selectable: OFF (0 dB)to -48 dB in 3 dB steps
Selectable: 0 dB to -70 dB
Limits volume adjustment knob. Selected value analogous to volume knob increment.
158 g (Without Battery)
99 x 66 x 23 mm (3.9 in. x 2.6 in. x 0.9 in.) H x W x D
4–6 hours (continuous use) AA batteries
|Omnidirectional Whip Antenna, Yellow Tip (470-542 MHz)||UA700|
|Omnidirectional Whip Antenna, Gray Tip (540-626 MHz)||UA710|
|Omnidirectional Whip Antenna, Black Tip (596-692 MHz)||UA720|
|Omnidirectional Whip Antenna, Blue Tip (670-830 MHz)||UA730|
|Omnidirectional Whip Antenna, Red Tip (830-952 MHz)||UA740|
|1/2 Wave Omnidirectional Receiver Antenna for improved wireless signal reception||UA8|
|Antenna extension cables (2)||95B9023|
|Hardware Kit (Rack mounting Screws)||90XN1371|
|AA battery adapter||65A15224|
|Passive Directional Antenna 470-952 MHz. Includes 10 foot BNC to BNC cable.||PA805SWB|
|PWS Helical Antenna, 480-900 MHz||HA-8089|
|PWS Domed Helical Antenna, 480-900 MHz||HA-8091|
|Wideband Omnidirectional Antenna (470-1100 MHz)||UA860SWB|
|2 ft. BNC-BNC Coaxial Cable||UA802|
|6 foot (1.8m) BNC to BNC Coaxial Cable for Remote Antenna Mounting for ULX Wireless System||UA806|
|25 ft. BNC-BNC Coaxial Cable||UA825|
|50 ft. BNC-BNC Coaxial Cable||UA850|
|100 ft. BNC-BNC Coaxial Cable||UA8100|
|4-to-1 antenna comber with power distribution to 4 transmitters (better RF performance and eliminates need for external power supply)||PA421B|
|8-to-1 antenna combiner for better RF performance||PA821B|
|Coiled IFB Earphone Cable for Shure Earphones||EAC-IFB|
|Band||Range||Output Power (mW)|
|G10||470–542 MHz||10/50/100 mW|
|G10E||470–542 MHz||10/50 mW|
|G10J||470–542 MHz||6/10 mW|
|G11||479–542 MHz||10 mW|
|G62||510–530 MHz||10/50 mW|
|H8Z||518–582 MHz||10/50 mW|
|H22||518–584 MHz||10**/50/100 mW|
|J8||554–626 MHz||10/50/100 mW|
|J8A||554–608 MHz||10/50/100 mW|
|614–616 MHz||10* mW|
|J8E||554–626 MHz||10/50 mW|
|J8J||554–626 MHz||6/10 mW|
|K10E||596–668 MHz||10 mW|
|L8||626–698 MHz||10/50/100 mW|
|L8A||653–657 MHz||10 mW|
|657–663 MHz||10* mW|
|L8E||626–698 MHz||10/50 mW|
|L8J||626–698 MHz||6/10 mW|
|L9E||670–742 MHz||10/50 mW|
|L11J||670–714 MHz||6/10 mW|
|M19||694–703 MHz||10/50 mW|
|P8||710–790 MHz||10/50/100 mW|
|Q12||748–758 MHz||10/50 mW|
|Q21||710–787 MHz||10/50/100 mW|
|Q22E||750–822 MHz||10/50/100 mW|
|R27||794–806 MHz||10/50 mW|
|X1||944–952 MHz||10/50/100 mW|
|X7||925–937.5 MHz||10 mW|
|X55||941–960 MHz||10/50/100 mW|
NOTE: This Radio equipment is intended for use in musical professional entertainment and similar applications. This Radio apparatus may be capable of operating on some frequencies not authorized in your region. Please contact your national authority to obtain information on authorized frequencies and RF power levels for wireless microphone products.
WARNING: As of January 01, 2019 the use of radio transmitters in the bands 694 - 823 MHz is prohibited.
Approved under the Declaration of Conformity (DoC) provision of FCC Part 15.
Certified by ISED in Canada under RSS-123.
Certified under FCC Part 74.
*Certified under FCC Part 15.
**Certified under FCC Part 15 and Part 74.
Certified by ISED in Canada under RSS-123 and RSS-102.
Meets essential requirements of the following European Directives:
Note: Please follow your regional recycling scheme for batteries and electronic waste
This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking.
This device operates under an ACMA class licence and must comply with all the conditions of that licence including operating frequencies. Before 31 December 2014, this device will comply if it is operated in the 520-820 MHz frequency band. WARNING: After 31 December 2014, in order to comply, this device must not be operated in the 694-820 MHz band.
WARNING: As of January 01, 2019 the use of radio transmitters in the bands 694 - 823 MHz is prohibited.
Hereby, Shure Incorporated declares that the radio equipment is in compliance with Directive 2014/53/EU. The full text of the EU declaration of conformity is available at the following internet address: http://www.shure.com/europe/compliance
Authorized European representative:
Shure Europe GmbH
Headquarters Europe, Middle East & Africa
Department: EMEA Approval
75031 Eppingen, Germany
Phone: +49-7262-92 49 0
Fax: +49-7262-92 49 11 4